Blog by VONNIE DAVIS -- International, Award-Winning Romance Author: Adventurous...Humorous...Amorous.
Showing posts with label Mona Lisa's Room. Show all posts
Showing posts with label Mona Lisa's Room. Show all posts

Saturday, March 15, 2014

A Glimpse of Paris #romanticsuspense #SPeekSunday

I can't believe an entire week has passed since I posted my last Sneak Peek. Perhaps it's because I've been battling the same chapter. Writing, deleting, writing, banging head on keyboard, deleting, re-writing the previous chapter in hopes the chapter from hell that follows will eventually become a heavenly chapter to read.

Speaking of heavenly, the sneak peek I'm sharing today was written about my favorite city--Paris. If money weren't an issue, I'd live there. But a small one-bedroom apartment in the City of Light, with a miniscule walk-thru kitchen, runs about the same as a three-bedroom rancher with garage here in the States. 

I have two romantic suspense novels set in Paris, books one and two of the Red Hand Conspiracy. Today I'm sharing a snippet from book one, Mona Lisa's Room. By the way, the cover for this book just took first place in the Mystery/Adventure category of the EPICon event this weekend. The cover artist, Rae Monet, is fabulous.

This book has also won the HOLT Medallion Award of Merit in two categories: Best Romantic Suspense and Best Book by a Virginia Author. In this sneak peek Alison, an American high school art teacher, has unwittingly foiled a bombing attempt at the Louvre ...


 
Alison was unceremoniously hauled to Paris police headquarters, the Prefecture de Police, and interrogated for nearly three hours by various detective teams, each more stern-faced than the last. Visions of being locked away forever in a French dungeon flashed in front of her like a neon “No Exit” sign. She had zero rights in this country. No passport. No one to help her. If they were to grant her one phone call, whom would she call? The American Consulate. Surely they would help.

When the door to the interrogation room opened and two men walked in, the testosterone level rose by a factor of five. If one were to categorize the first man, middle-aged with graying temples and silver-framed glasses riding low on his nose, as good-looking, one would have to call the younger man striking. Or, as Gwen, her free-spirited sister, would say, “Oh my God, he’s make-my-panties-damp gorgeous.”

Although the young man wasn’t overly tall, he was excessively male. Sex appeal oozed from every pore on the man’s skin. Alyson’s body responded which surprised her.

She judged him to be around thirty, with the firm and muscled, yet slender build of many European men. He had an olive complexion and short, wavy black hair styled like that of a GQ cover model. His eyes were dark and angry. What’s his problem? I’m the one held here against my will, hungry and thirsty. And, dammit, I have to pee.

The older man sat while Mr. Macho Male prowled the room like a tightly-reigned panther. “Ms. Moore, I’m Field Supervisor Henri Moreau. I head the French task force on counterterrorism. The irritated man behind me is my second in command, Niko Reynard.”

The young man deigned to spare her a nod in greeting. Oh, she knew the type. She nodded once in return with a dose of her own attitude. After all, she hadn’t been a teacher all these years without perfecting a piercing glare. One of his eyebrows quirked in response. She raised her chin and held eye contact with him for a few seconds. Touché. Okay, so she was being bitchy, but after all she’d been through, frankly she didn’t care.
 
TO READ MORE GREAT SNEAK PEEKS TODAY, CLICK ON THIS LINK--
 

Friday, September 13, 2013

Some Cultural Differences

We have rules governing sidewalks here in America. We tend to hold them sacred. They are for pedestrians, whether on foot or in a wheelchair, and their dogs. We tend to smile at tykes riding their tricycles, but frown on grown-ups on bicycles and teens on roller blades or skateboards on our cement walkways. I'm beginning to think our sanctity of sidewalks is an American mindset.

From the time our taxi driver pulled away from the curb at Charles De Gaulle airport until he made a sweeping U-turn in front of our apartment on rue Bertholet in the Latin Quarter, we'd been on the sidewalk four times. Not that I wasn't counting or saying a few prayers. We weren't the only ones either. Other cars, horns blaring to jar pedestrians out of the way, and motor bikes, buzzing through traffic like bumblebees on steroids, also made several detours onto the sidewalks. Pedestrians didn't react with outrage, but did scurry out of the way.

 
 
Traffic in Paris is not for the faint of heart. For one, there are no lines painted on most of the streets, or rues. I mean, really, why bother when no one cares what lane they're in? At one point during our initial taxi ride, four cars braked sharply, their noses angled inward to vie for a certain spot. There we sat, hood to hood, eyes locked in challenge, horns blaring and hands gesturing to the "Parisian God of Traffic".

Even so, as we drove--gee, that's too lame of a word. As we ping-ponged through traffic, we saw the Eiffel tower standing majestically when we crossed the Seine. As always, I marveled at the beauty of the architecture. Has there ever been a city as pretty as Paris? We passed Calvin's favorite writing café on Boulevard Saint Germain, when he was here on sabbatical for a year in 1968. Like a child with his nose pressed to the glass, he craned to study every angle, murmuring, "I remember...I remember." We also passed the Hotel Madison where I'd set a couple scenes in my MONA LISA'S ROOM. Although I'd never been inside, their website provided enough photos for me to add some accurate description.

In the past, we'd used AAA's to make our overseas reservations. Parisian hotel rooms are often small. This time, we wanted a different experience, a more Parisian experience. Plus, now that we're both diabetic, we thought we'd like to cook some of our meals to keep our glucose readings in tolerance. After checking several online rental agencies, we settled on Vacation in Paris LLC, located in New Jersey. We liked the idea of speaking with representatives here in the States. Plus, we were impressed by what we'd read after googling their company. Folks, they've been a dream to work with. Not only did our apartment keys arrive at our home a month before we left for our trip, but the rental company also emailed us a wonderfully informative packet with detailed apartment information, tourist tips and safety hints--things a nervous traveler would greatly appreciate knowing. I know we did. And when we stepped into our little Paris flat, we both breathed a sigh of relief. Everything was as pictured on Vacation in Paris' website. We had no surprises.
All of their pictures were accurate.


We're on the third floor American, second floor European. Here's a picture I took of our living room while I was at the dining room table, writing this blog. By the books on the shelves in both the living room and bedroom, the owner is English speaking. He or she likes Stephen King and Danielle Steele and is an adventurous cook by the number of cookbooks displayed. We brought along copies of our books to leave as gifts.

How lovely that in Paris, your seat at a café table is secured for as long as you wish. In America, you are typically besieged by the wait staff until you move on. We tend to look on a meal as another item in our daily "to do" list. The French look on meal time or a respite for coffee or wine as a time to be savored--slowly. A time to share experiences and express one's beliefs. I watch as animated eyebrows or the jerk of the head or the negligent shrug voice more eloquently than words their underlying emotional meanings. Watching is an education in human communication. There is no frenzy, no glancing at the wristwatch or inhaling of food. There is only the enjoyment of the moment and whomever you happen to be sharing it with.


Until the next time, you'll find us wandering the streets of Paris with no destination in mind, stopping for a cup of whatever to watch humanity stream by. I'll be journaling my every impression, sight and smell of my second journey to the City of Light. I'll share more with you the next time around

Sunday, July 14, 2013

Mona Lisa's Room: Paris...Pandemonium...Passion

Imagine going through a difficult divorce. A divorce that prompts you to do some things you've always dreamed of--things for yourself, like having lazic surgery to ditch the glasses, changing your hair color or getting a tattoo. And taking a trip to Pairs to visit museums and sketch scenes of the city.

As an art teacher, you've always dreamed of seeing the Mona Lisa. So on your second day in Paris, you head for the Louvre. While there you unwittingly foil a bombing attempt by a terrorist INTERPOL believes dead. Your sketch identifies him and he's out for revenge. Suddenly your dream trip turns into pandemonium and you're put under the protection of a younger French government agent.

Of course there's more than one terrorist in this gang and they keep coming after you. Meanwhile your protector gets under your skin and the degree of the passion heats up. You might end up in a scene like this...



“What is it?” Alyson peered up and down the street.

“Don’t look. Smile at me. Talk and act normal.” Niko wrapped his arm around her waist and nudged her up the street.

“But…” Did he see someone? Did he see Dembri?

“I’m going to kiss you so I have an excuse to look behind us.”

“Oh no. No, I don’t think so. Look, I’ve put up with your constant touching, but I’ll not be kissed on a public street.”

“Don’t be self-conscious. In Paris, we kiss in public. It’s the Parisian way.”

“For heaven’s sake! Make it quick then.” She shook her arms to relax them because she was anything but relaxed. She was about to be kissed for the first time in years. Did she remember how? Stop being silly. Kissing is simple. Two pair of lips touch. Kiss done. With her head tilted back, she whispered, “Okay, I’m ready.”

A smile tugged at the corners of Niko’s lips. He encircled her in his arms and stepped in so their thighs touched. Her stomach fluttered. Her breathing hitched. He lowered his head. “Hang on, Aly.” With his dark brown eyes open, he placed his lips on hers and pulled her body against his. She kept her eyes open, too, figuring it would lessen the kiss’ effects.

Niko kissed her, gentle sips at first, soft and sensual. Someone made a moaning noise, and she feared it might have been her. My God what a pair of lips! Her toes curled in her new Pradas. She wrapped her hands around the lapels of his jacket. Then his lips locked on hers and with his tongue invading her mouth, he turned her to look over her shoulder, all the while wreaking havoc on her system.

This was the first time she’d been in a man’s arms in years. The first time she had tongue from a guy since college and said guy was more interested in looking behind her for some hoodlum than in the kiss. Just her damn luck.

When Niko ended the mind-blowing kiss, he pulled her closer, if that were possible, and whispered in her ear. “We’re being followed. Hold my hand and run.”

Run? Melting came to mind, but running? How could she run when he kissed her until the bones in her legs turned to jelly? Plus, she was wearing new high heels, for heaven’s sake. His arms squeezed her for an instant. “Now.”

He grabbed her hand, and they took off. They dodged throngs of pedestrians and at one point, Niko hurtled over a poodle, its protective owner shouting in French outrage, calling him a fool. “Fou! Fou! Mon chien, mon chien!”

Alyson had done her fair share of running, especially after her break up with Chaz, the stranger she was married to all those years. Running was a stress reliever; so were the StairMaster and martial arts. Still, those activities were done in sneakers or barefooted, not high heels. Stilettos, no less. Oh, and the thong. Let’s not forget the damn thong chafing her in places she didn’t want to think about. She’d kill Gwen when she got home.

“Faster, Aly!”

“You put me in three-inch heels and expect me to run fast? You bossy Frenchman with a foot fetish.” She stumbled, and he caught her.

“Typical woman. Kiss her once and she figures she has the right to bitch at you.” Niko’s head turned, evidently scanning the area as they ran.

She tried jerking her arm free of his ironclad grasp. “So help me, God, if that terrorist doesn’t kill you, I will.”

He pulled her around two uniformed nannies pushing toddlers in strollers. “Promises. Promises.”

“Yeah, well look how nice my hips sway now, nutso, running in these damned heels.”

 
Niko quickly glanced up and down the wide tree-lined street and evidently seeing a slight break in traffic, ordered, “To the other side. Now.” They bolted across the four-lane boulevard and its well-manicured median. Two motorbikes rumbled past, nearly hitting them. Horns blared as several Renaults and Smart Cars barreled down the street. Niko shoved her out of the way and she fell, her hands and knees scraping on the asphalt. Brakes screeched and there was a dull thud behind her. She glanced back over her shoulder just as Niko rolled across the hood of a silver car. He never broke stride. “Run, dammit!”

She struggled to get up, her heel caught in the hem of her skirt. Niko set her on her feet again. A delivery truck swerved toward them as if to run them down. In a blur of movement, Niko drew his weapon. He dove and rolled clear of the truck’s path, shooting the driver between the eyes. Glass shattered. Passersby screamed. The truck jumped the curb, striking a tree. Sounds of metal crunching and a tree branch cracking obliterated, for a few horrible seconds, the pedestrians’ reactions.

Still on the move, Niko barked orders at the observers. A man nodded and reached for his cell phone. “Quick. In here. While we’re hidden by the truck.” Niko wrapped his hand around her arm and tugged.

Alyson trembled, the back of her hand covering her mouth and her eyes glued to the man slumped over the steering wheel of the truck not five feet away. Blood flowed from his forehead. Her stomach twisted. She was going to be sick. Niko’s grip on her arm tightened. “Move it, Aly. We’re still being followed.”

MONA LISA'S ROOM won the HOLT Medallion Award of Excellence for Best Romantic Suspense and Best Book by  a Virginia author.

BUY LINKS:
THE WILD ROSE PRESS (digital) -- http://bit.ly/MonaLisaDigital
THE WILD ROSE PRESS (paperback) -- http://bit.ly/MonaLisasRoom
AMAZON (paperback) -- http://amzn.to/QQZGyD

 

Sunday, June 9, 2013

"Mona Lisa's Room" is a Double HOLT Medallion Winner!

I am so toe-curled happy I can barely think. I just received word that MONA LISA'S ROOM is a double HOLT Medallion Winner. Mona won an award of merit in both the Romantic Suspense and Best Book by a Virginia Author categories. I wasn't sure how readers would enjoy a suspenseful run through the streets of Paris, but the characters wouldn't leave me alone until I wrote their story. My heroine travels to Paris to celebrate her 40th birthday and unwittingly foils a bombing attempt in the Salon de Carre which houses the famed Mona Lisa. Alyson is put into the protective custody of French counterterrorist agent, Niko, who is ten years her junior. From that point on, they are on the run from the diabolical Red Hand terrorist group, whose macabre calling card is a hand print of their victim's blood.

Wednesday, April 24, 2013

What Kind of Torture Makes a Tortured Hero? by Vonnie Davis

What type of tortured hero do you like?
 
 
Women are born nurturers. We love making a difference in someone's life. We enjoy making someone happy. And we are drawn to a tortured hero. But what kind of torture gives a male character the label of a tortured hero?
 
Could it be something emotionally scarring that happened to him in his childhood? Like Storm Masterson's abandonment by his mother? Did this cause him to cling too closely and doubt so quickly?
 
What about physical scars from war? Can a hero with an amputeed leg be sexy? Can a heroine help him deal with his PTSD? I'm betting Win's virility will jump off the page at you, one leg or two.
 
What if a hero's torture is self-imposed? Like if his fiance was killed because he did something wrong? Does the guilt he revisits every day qualify him as being tortured?
 
What if an error in judgement in a hero's teenaged years caused a family disaster? For example, the younger sister Jean-Luc was supposed to keep an eye on was kidnapped while the teenager flirted with a girl up the street. This constant source of guilt and pain causes a strong need to control everything and everyone. How would you help him change?
 
What is your favorite kind of tortured hero? I'd love to hear. Leave a comment with your email address between now and Saturday (4/27 at 6pm) and be eligible to win your choice of one of these titles. 

Saturday, April 6, 2013

Eight Sentence Sunday--"Mona Lisa's Room" by Vonnie Davis

Welcome back! It's that time again: EIGHT SENTENCE SUNDAY.
#8Sunday

http://www.wewriwa.com/



“Down, buster. American women are different than French women; we’re not so easily seduced by glib words or smooth moves.”
 
His eyebrow arched and his demeanor turned insolent. “You think I’m trying to seduce you?”
 
“I think you’re toying with me, seeing if you can make an old, lonely American woman quiver at your feet.”
 
“First of all, you’re not old. Second, if you’re lonely, that’s your fault. Third, if I wanted to make you quiver—” he leaned in, his lips against her ear “—I damn well could.”
 

BUY LINKS:
 
 
 
BARNES & NOBLE: http://bit.ly/Wn3gms 

 

Sunday, March 10, 2013

Sunday Sneak Peek of Mona Lisa's Room -- by Vonnie Davis


A SIX PARAGRAPH SNEAK PEEK --

Ms. Moore stood just outside the bathroom as if frozen to the spot. Her face was pale, her blue eyes wide with fright. Being scared was one thing, but being immobilized with terror would not help her. He had to make her angry, hoping to tap into her passion. What could he say to piss her off again?

“Well, Mrs. Moore, you no longer resemble a sloppy American.” Fact was she looked good in that low-cut sundress. Damned good. While he’d always been a leg man, he had a healthy appreciation for the breast portion of the female anatomy, and her breasts were quite eye-catching. The wide skirt that emphasized her trim waist skimmed shapely calves. The woman was trouble in a sexy little package.

His calling her Mrs. was evidently like a cold slap to her face. She gave the desired response. “Let me give you a lesson in life, Niko. Never call a woman who endured twelve years of a cold marriage to a cheating husband by the title Mrs.” She grabbed her purse and slung it over her shoulder.

He fought back a smile. “Yes, ma’am.”

She fisted her hands on her hips and glared at him. “Lesson number two. Never call a woman, who is one day shy of turning forty, ma’am. My first name, Alyson, will do nicely.”

He retrieved her carry-on from the bed and opened the door a crack. After checking the hallway and finding it empty, he glanced back over his shoulder, winked and purposely lowered his voice to a sensual purr. “Anything else you’d like to teach me, Aly?”
 
BUY LINKS:
 
THE WILD ROSE PRESS  http://bit.ly/MonaLisaDigital
 
 

Friday, February 1, 2013

Nailing Down Your GMC by Vonnie Davis

Writing the final book in The Red Hand Conspiracy Series, my romantic suspense trilogy, has been a battle of wills.
 

Me against myself.
 

My desire to go off in another direction—with new characters and a fresh storyline—against my innate need to finish what I’ve started.


I just have too many characters and plot lines in my head. I want to pop from one sub-genre to another. I'm driving my agent nuts. "Pick one or two sub-genres of romance and stick to them. Build your reputation on them. You cannot write everything."
 
 
My mulish chin juts out. And why not??? One might say I have ADD where writing is concerned. If my current project isn't grabbing me by the throat, then I'm dabbling in other projects. Flitting from one thing to the next. Oh, I'll come back to my WIP occasionally and slowly pound out a chapter, but I'm writing as if I'm mired in muck. Just to show you what I mean, from the time I started book three of this series, I've written and contracted two novellas and a short story. This final book of my trilogy has become akin to our tiny bedroom filled with boxes of junk. I keep the door closed, because I don't know where to start in cleaning it out.

 
Thus, I’ve been struggling with Jazzbeat of Surrender for months and months. Finally it hit me. Where was my GMC? Sure I had carefully crafted characters. The action rang true. There was an equal balance of romance and suspense. But where was the GMC for my heroine and hero?


Although I had a vague idea, I hadn’t nailed it down. I hadn’t made use of my simple GMC sentence. And without a clear GMC, folks, there just isn't a story no matter how "cool" the plot line seems. GMC is critical. So what was my GMC sentence? Here's what I mean...


Your POV character wants (goal) because (motivation), but (conflict) keeps her/him from attaining that goal.

Let’s expand on that with an example or two.


A teenager wants to return to her home (goal) because her beloved aunt is ill (motivation), but she can’t without the approval and help of the wizard (conflict). Thus, we have the GMC for “The Wizard of Oz.” Think about it. Everything that happened on the yellow brick road helped Dorothy reach the wizard to beg for his help.


A young man wants to win the hand of a beautiful teen (goal) because she makes him feel things he’s never felt before (motivation), but their families are bitter enemies (conflict). Did you recognize the GMC of “Romeo and Juliet”?

 
Some anchor GMC for each chapter and perhaps each scene. I’m too much of a pantser for that detailed process. However I do like to keep my heroine and hero’s GMC firmly engraved in my mind. I hadn't with Jazzbeat of Surrender. No wonder I was struggling. No wonder my characters were silent. In effect, I'd abandoned them and went off on my own to write their story. And, as writers, we know that never works, especially for those of us who are character-driven.

 
 
Now I've got their GMC nailed. And Simone and Derrek are getting a chance to tell their story.

How do you nail down your GMC? And I'm not talking about your truck...

Saturday, January 12, 2013

"Location, location, location" -- Or, set your book in a place you love by Vonnie Davis

I had no clue when Calvin and I went to Paris for a few weeks in 2005, that I'd end up setting a romantic suspense series there. In fact I was only "playing" at writing at the time. You know, start a chapter, lose interest, lay it aside and keep on dreaming of being a writer someday. Calvin, on the other hand, was seriously into writing his mainstream novel, The Phantom Lady of Paris.

So while he put pencil to paper at sidewalk cafes, I was absorbing everything around me. My eyes blinking like the lens on a camera, making little snippets of memories that I'd eventually call forth to insert into my stories.

Small cars literally were parked bumper to bumper. All around me were the tatooing of stiletto heels on sidewalks as French women hurried by, scarves artfully draped around their necks. I never saw a French woman who wasn't dressed to the "nines," as we say here in America. Nor did I see any young men with droopy drawers, either. Frenchmen wore their jeans snug across their behinds--not that I was one to notice, mind you. I was charmed by the beautiful architecture, so much of it centuries old. The hiss of espresso machines, a champagne cork popping were merely background noise as the French spoke their native tongue at lyrical, rapid-fire speeds. While walking down streets, delicious aromas wafted from bakeries. Paris truly is a delight for the senses.

That's why I've enjoyed writing this series so much, for it's been like revisiting my favorite city in the world. I've poured over our picture albums, tour books and online sites. Book one, Mona Lisa's Room, is available for purchase. The romantic couple in it are Alyson Moore, an American art teacher, and Niko Reynard, second in command of the French counter-terrorism unit. The villians? A terrorist group called The Red Hand. Communist? No. After a murder or bombing, they donned a latex glove, dipped it into the victim's blood and leave a handprint on a nearby wall. Makes for a macabre calling card, doesn't it?


Here's an excerpt of a scene with Alyson, or Aly as the hero calls her, and Niko. They are in a shoe store--Minelli's--where I found a purse that called my name.
             Niko perched on the stool at Alyson’s feet, opened the first box and deftly flicked back the tissue paper on a pair of black kidskin pumps with skinny gold looking heels. “It’s rumored Da Vinci invented the high heel.” He removed her Birckenstocks and placed her bare foot on his thigh. Warmth from his muscled leg flowed up hers, causing her foot to give an involuntary wiggle.

His gaze lifted to hers and locked. Slowly he slid his hand from her heel up her leg to cup her calf. Thank God she shaved her legs that morning. “Stop.” The rawness of her voice surprised her. His touch made her very aware of her body, and her body was very aware of him. She couldn’t count the years since she was touched in such a manner—if ever.

Still, it was nice to know she could respond to a man’s touch. Thanks to her ex-husband’s avoidance, she thought herself sexually dead, certainly sexually unappealing.

“High heels do wonders for a woman’s figure, Aly. They make the legs look long and shapely, lift the bottom and make the hips sway.” His hands moved in a descriptive manner while he talked. “They make a woman look sexy and confident. Men’s eyes naturally pivot to a woman in stilettos.” Niko shrugged. “We can’t help it. We are men, after all. Weakened by women.”

Alyson stared at him. Men made weak by women? She’d never heard such talk, especially from a male, a very virile male if looks meant anything. He was gorgeous, arrogant as all get out, but gorgeous just the same.

Niko slipped the shoes onto her feet, stood and extended his hand. “Stand. See how you like the feel.” His gaze focused on hers again and for a second or two, when she looked into his eyes, her world stopped.

She vetoed the four-inch stilettos Niko favored in five painful, toe-pinching steps. Good Lord, a girl could get nosebleeds in those things.

Ten minutes later, Alyson wobbled in front of the cashier ready to pay for the black kidskin three-inch Pradas she wore. As soon as she saw the bow at the back of the heel, she fell in love with the shoes. Gwen called her a “bow freak.” When Niko reached for his wallet, she elbowed him. “Look, as long as they take Visa, I’ll pay for my own shoes.”

“Please, allow me.”

“Absolutely not. I planned on having an expensive birthday meal at the Eiffel Tower Restaurant tomorrow. With all that’s happened today, that plan is ruined, too. So I’m rationalizing since I won’t be paying for my birthday meal, I can pay this ungodly amount for the shoes.”

Niko placed his hand over hers. “I don’t mind. Let me treat you since I goaded you into buying them.”

“Really, that’s not necessary. Even my husband…er…ex-husband never bought me things. I’ve always paid my own way.”

He leaned an elbow on the glass counter and looked at her. “You’re kidding me. He never bought you little surprises? Little treats? A woman like you should be spoiled, treasured—” his voice lowered as he slowly trailed a finger up her arm  “—loved often and well.” Merciful heavens, he was trying to seduce her in a shoe store. Gwen would squeal in delight when she told her about this.

“Down, buster. American women are different than French women. We’re not so easily seduced by glib words or smooth moves.”

His eyebrow arched and his demeanor turned insolent. “You think I’m trying to seduce you?”

Typical male. He touched her almost nonstop since they stepped into Minelli’s. Now that she called him on it, he wanted to deny everything. “I think you’re toying with me, seeing if you can make an old, lonely American woman quiver at your feet.”

“First of all, you’re not old. Second, if you’re lonely, that’s your fault. Third, if I wanted to make you quiver—” he leaned in, his lips against her ear  “—I damn well could.”
 
BUY LINKS:
THE WILD ROSE PRESS (digital) -- http://bit.ly/MonaLisaDigital
THE WILD ROSE PRESS (paperback) -- http://bit.ly/MonaLisasRoom
AMAZON (paperback) -- http://amzn.to/QQZGyD

Sunday, December 23, 2012

YOUR LUCKY SIX -- by Vonnie Davis

I love y'all. Each of you have impacted my life in one of several lovely ways--readers, blog visitors, commenters and "atta-girl" supporters. Without you, I'm writing for a zero readership. So, here I am, wondering what I can give you for Christmas. Sadly I can't afford to gift you all with something, but I can offer an eBook present to a few of my cherished commenters. 
 
I'm offering eBook gifts to 6 lucky commenters.
 
Tell me in your comment what sub-genre romance you prefer reading--contemporary, paranormal, American historical, Regency, European historical, romantic suspense, fantasy, or erotic--AND which one of my books/novellas you'd like to have along with your email address so I can reach you. Easy, peasy.
 
STORM'S INTERLUDE is a contemporary cowboy romance that won the HOLT Medallion Award of Merit in two categories: Best Book by a Virginia author and Best Mainstream/Single Title. It was also nominated as Book of the Year for 2011 at Long and Short Reviews. Here's the back cover blurb: Nurse Rachel Dennison comes to Texas determined to prepare her new patient for a second round of chemo. What she isn’t counting on is her patient’s twin brother, Storm Masterson. Despite her initial attraction, Storm has two things Rachel can’t abide: a domineering personality and a fiancée. Half Native American, with the ability to have "vision dreams," Storm dreams about Rachel for three nights before her arrival. Both are unprepared for the firestorm of emotions their first encounter ignites. Ultimately, it is Rachel’s past—an abusive, maniacal ex-boyfriend—that threatens to keep them apart…and Storm’s dreams that bring them together again.

My novella, THOSE VIOLET EYES, recently recieved a 5-Star, Top Pick review from Romantic Reviews. If you love a wounded war hero, you'll enjoy this stroy. The blurb for this contemporary cowboy story is: Evie Caldwell hoards every penny for her escape from the servitude life created by a worthless brother and the endless work on a ranch that will never be hers. The last thing she wants is a muscled man with a macho Marine attitude complicating her life. But, oh, how that man can make her insides do the twitchy thing.

Wounded vet, Win Fairchild, returns to Texas to heal, find a piece of his soul and open a ranch for amputee children. Finding someone to love was not on his agenda. Nor was dealing with a wildcat, until she captures his heart with those violet eyes.



But now that he knows what he wants, can Win convince Evie to stay in Texas—and his bed?

For those of you, who love a Western historical, you might enjoy TUMBLEWEED LETTERS set in Deadwood, Dakota Territory in 1879. This is what I call a short story--a shade under 25,000 words per the publisher's guidelines for the Love Letters Series. When rancher and single father Cam McBride finds a letter tucked in a strip of cloth tied to a tumbleweed, he is captivated by the mysterious author. Finding a second tumbleweed letter further pulls him under the lonely writer's spell. He needs a mother for his little boy and a wife to warm his bed. Could this mysterious woman fill his needs?
 
Sophie Flannigan is alone, scared, and on the run from a rogue Pinkerton agent. She spends her days as a scrub lady at Madame Dora's brothel and her nights writing notes to the four winds. Her life holds little hope until a small boy lays claim to her and his handsome father proposes an advantageous arrangement.

Can these three benefit from a marriage of convenience, or will a determined Pinkerton agent destroy their fragile, newly formed bond?

MONA LISA'S ROOM, book one of my Red Hand Conspiracy Series, is a full-length novel packed with danger, suspense, romance and humor. If you enjoy reading about an older heroine and younger hero, you'll smile over this read. This romantic suspense is set in Paris. I'll have you running the streets of the Left Bank in stilletos while a band of terrorists pursue you...er...Alyson, my heroine.

I tried writing something more fanciful this year with a short story kicking off Still Moments' Matchmaker Series. We were given descriptions of Freya, the matchmaker, and her coffee shop. A magical coffee shop since it appears and disappears only to show up in another town where Freya can work her magic on another couple. A TASTE OF CHOCOLATE is a personal favorite of mine, and I can't explain why. I just love Declan. What more can I say. This is my shortest of stories at 11,000 words, but again series often have word counts to abide by. Because I love it so much, I'm giving away 2 copies.

So, here's what you need to do. Leave the following 3 items in your comment:
  • Tell me what kind of romance you enjoy reading.
  • Choose one of my titles to win
  • Leave your email address so I can reach you

GOOD LUCK!

I'LL DRAW THE WINNERS AT TEN O'CLOCK ON CHRISTMAS EVE!

Tuesday, December 11, 2012

I WONDER, HOW DO FRENCH WOMEN BURN OFF CALORIES? by Vonnie Davis

There are many things I love about Paris -- the architecture, the small neighborhood shops, and the art museums. I enjoyed every minute we spent at sidewalk cafes absorbing French culture. But I really, really enjoyed the bakeries, or boulangeries. Oh, the seducing smells that wafted out onto the streets. 


To this pastryholic, I thought I'd died and gone to whipped creme heaven.

 
As I'd stand, staring into the windows, shop owners would rush out to wipe the drool off their pristine glass.

 
Unlike here in America, loaves of French bread were not bagged, often carried home without benefit of a paper wrapper.

 
We loved buying a pastry or two to eat at a nearby sidewalk cafe along with a cup of espresso.
 
 
Making a choice was always hard. Pastries were virtually works of art, or so my eyes proclaimed as they roamed over the delights in the glass cases and windows.

 
Yet, as I'd enjoy my calorie-rich treat, I'd look at slender French women rushing by, their stilettos creating a stacatto on the sidewalk and I'd wonder...how do French women burn off calories and stay so slender? Perhaps this YouTube video explains that...

 
 
EXCERPT FROM MONA LISA'S ROOM:
 
Ten minutes later, Alyson wobbled in front of the cashier ready to pay for the black kidskin three-inch Pradas she wore. As soon as she saw the bow at the back of the heel, she fell in love with the shoes. Gwen called her a “bow freak.” When Niko reached for his wallet, she elbowed him. “Look, as long as they take Visa, I’ll pay for my own shoes.”
“Please, allow me.”
“Absolutely not. I planned on having an expensive birthday meal at the Eiffel Tower Restaurant tomorrow. With all that’s happened today, that plan is ruined, too. So I’m rationalizing since I won’t be paying for my birthday meal, I can pay this ungodly amount for the shoes.”
Niko placed his hand over hers. “I don’t mind. Let me treat you since I goaded you into buying them.”
“Really, that’s not necessary. Even my husband…er…ex-husband never bought me things. I’ve always paid my own way.”
He leaned an elbow on the glass counter and looked at her. “You’re kidding me. He never bought you little surprises? Little treats? A woman like you should be spoiled, treasured—” his voice lowered as he slowly trailed a finger up her arm  “—loved often and well.” Merciful heavens, he was trying to seduce her in a shoe store. Gwen would squeal in delight when she told her about this.
“Down, buster. American women are different than French women. We’re not so easily seduced by glib words or smooth moves.”
His eyebrow arched and his demeanor turned insolent. “You think I’m trying to seduce you?”
Typical male. He touched her almost nonstop since they stepped into Minelli’s. Now that she called him on it, he wanted to deny everything. “I think you’re toying with me, seeing if you can make an old, lonely American woman quiver at your feet.”
“First of all, you’re not old. Second, if you’re lonely, that’s your fault. Third, if I wanted to make you quiver—” he leaned in, his lips against her ear  “—I damn well could.”
 
BUY LINKS:
THE WILD ROSE PRESS (digital) -- http://bit.ly/MonaLisaDigital
THE WILD ROSE PRESS (paperback) -- http://bit.ly/MonaLisasRoom
AMAZON (paperback) -- http://amzn.to/QQZGyD