A writer who has traveled both paths to publication. Traditional publishers with a contract and self-publishing where you, the author, hire an editor, cover designer, and do all the marketing yourself.
When you self-publish, you get to write about what you want. For example, I can use my off-the-wall sense of humor. I can write to please my readers not my publisher's bottom line. I can write about the characters in my brain, not the ones dictated to me. There's more creativity control.
But, as I read other Indie authors, I realize we have to be edited to death to make us come off as professional writers. There are minor mistakes our eyes just don't grasp--and I include myself in this assessment.
Let's not even mention plot holes or mundane dialog or characters that are about as appealing as a case of poison ivy on your privates.
I never planned on going Hybrid. I didn't think I had a large enough following to make the gamble worth it. I still might not. But, for various reasons, I'm giving it a try.
Some of my indie works will be new editions of previously published works, like my award-winning STORM'S INTERLUDE and the RED HAND CONSIPIRACY, a three-book series set in Paris, Budapest, and Berlin. Handsome government agents, plucky women, terrorists--and humor, lots of humor. Some of my indie works will be new works, like my holiday read UP THE CHIMNEY. You see, I enjoy doing my own thing. I only hope my readers enjoy what my creativity produces for them. I'll keep you informed.

