Calvin and I love traveling internationally. How wonderful to experience other cultures. I'm an architectural freak, so seeing different building styles intrigues me. So does studying history and eating new foods. Calvin loves outdoor cafes and watching people hurry by. If he can have a cup of espresso to sip and a WiFi connection for his iPad, he's in heaven. Simple pleasures for simple people. Two humans who would do no harm.
So you can imagine our heartache over the bombings in Paris, our favorite city, and Brussels, someplace we'd thought of visiting during the hot summer here in Virginia. Calvin, my news hound, has informed me of every new revelation in the investigation as I pound out word count to meet my upcoming deadline.
One of my sons called to say--not ask, but say--you two aren't traveling anywhere internationally in the foreseeable future. Kids. Once they pass the age of forty, they think they can order me around. Imagine!!!
Imagine also, people who believe their "higher being" tells them to kill and maim nonbelievers.
Walk away from nonbelievers, I get.
Avoid, sure.
Engage in a nonviolent civil discourse face-to-face and NOT on social media, by all means.
But violence? My God doesn't demand it. Mine is a God of love. So I get my bloomers in a twist when goons with guns and attitudes larger than their IQ's seek out those they perceive as enemies and harm in the name of a god ... any god. To me, it's an excuse to kill. Like the long-held feud of generations past--the Hatfields and McCoys--the beginnings of this hate is said to stem back to the Crusades. But, folks, sometimes we need to lay hate aside and pray for goodness.
Just as all Christians aren't completely good. We can't judge all Muslims by bands of radicals. Good and bad reside on both sides. Evil resides in this unprovoked indiscriminate murder. It's not about religion; it's about absolute power.
So, no, we won't be traveling abroad for awhile. I'll miss it. Calvin will especially miss Berlin where his only child, his son lives. Danger seems to lurk everywhere. Here and abroad. Our world is quickly becoming an unsafe place filled mainly with people who would rather spread love and goodwill than harm and hate. Yet we are crippled with fear by a few. Sad and troublesome.
Be safe.
Blog by VONNIE DAVIS -- International, Award-Winning Romance Author: Adventurous...Humorous...Amorous.
Showing posts with label terrorists. Show all posts
Showing posts with label terrorists. Show all posts
Monday, February 29, 2016
Sunday, July 14, 2013
Mona Lisa's Room: Paris...Pandemonium...Passion
Imagine going through a difficult divorce. A divorce that prompts you to do some things you've always dreamed of--things for yourself, like having lazic surgery to ditch the glasses, changing your hair color or getting a tattoo. And taking a trip to Pairs to visit museums and sketch scenes of the city.
As an art teacher, you've always dreamed of seeing the Mona Lisa. So on your second day in Paris, you head for the Louvre. While there you unwittingly foil a bombing attempt by a terrorist INTERPOL believes dead. Your sketch identifies him and he's out for revenge. Suddenly your dream trip turns into pandemonium and you're put under the protection of a younger French government agent.
Of course there's more than one terrorist in this gang and they keep coming after you. Meanwhile your protector gets under your skin and the degree of the passion heats up. You might end up in a scene like this...
As an art teacher, you've always dreamed of seeing the Mona Lisa. So on your second day in Paris, you head for the Louvre. While there you unwittingly foil a bombing attempt by a terrorist INTERPOL believes dead. Your sketch identifies him and he's out for revenge. Suddenly your dream trip turns into pandemonium and you're put under the protection of a younger French government agent.
Of course there's more than one terrorist in this gang and they keep coming after you. Meanwhile your protector gets under your skin and the degree of the passion heats up. You might end up in a scene like this...
“What
is it?” Alyson peered up and down the street.
“Don’t
look. Smile at me. Talk and act normal.” Niko wrapped his arm around her waist
and nudged her up the street.
“But…”
Did he see someone? Did he see Dembri?
“I’m
going to kiss you so I have an excuse to look behind us.”
“Oh
no. No, I don’t think so. Look, I’ve put up with your constant touching, but
I’ll not be kissed on a public street.”
“Don’t
be self-conscious. In Paris, we kiss in public. It’s the Parisian way.”
“For
heaven’s sake! Make it quick then.” She shook her arms to relax them because
she was anything but relaxed. She was about to be kissed for the first time in
years. Did she remember how? Stop being
silly. Kissing is simple. Two pair of lips touch. Kiss done. With her head
tilted back, she whispered, “Okay, I’m ready.”
A
smile tugged at the corners of Niko’s lips. He encircled her in his arms and
stepped in so their thighs touched. Her stomach fluttered. Her breathing
hitched. He lowered his head. “Hang on, Aly.” With his dark brown eyes open, he
placed his lips on hers and pulled her body against his. She kept her eyes
open, too, figuring it would lessen the kiss’ effects.
Niko
kissed her, gentle sips at first, soft and sensual. Someone made a moaning
noise, and she feared it might have been her. My God what a pair of lips! Her toes curled in her new Pradas. She wrapped
her hands around the lapels of his jacket. Then his lips locked on hers and with
his tongue invading her mouth, he turned her to look over her shoulder, all the
while wreaking havoc on her system.
This
was the first time she’d been in a man’s arms in years. The first time she had
tongue from a guy since college and said guy was more interested in looking
behind her for some hoodlum than in the kiss. Just her damn luck.
When
Niko ended the mind-blowing kiss, he pulled her closer, if that were possible,
and whispered in her ear. “We’re being followed. Hold my hand and run.”
Run?
Melting came to mind, but running? How could she run when he kissed her until
the bones in her legs turned to jelly? Plus, she was wearing new high heels,
for heaven’s sake. His arms squeezed her for an instant. “Now.”
He
grabbed her hand, and they took off. They dodged throngs of pedestrians and at
one point, Niko hurtled over a poodle, its protective owner shouting in French
outrage, calling him a fool. “Fou! Fou!
Mon chien, mon chien!”
Alyson
had done her fair share of running, especially after her break up with Chaz,
the stranger she was married to all those years. Running was a stress reliever;
so were the StairMaster and martial arts. Still, those activities were done in
sneakers or barefooted, not high heels. Stilettos, no less. Oh, and the thong.
Let’s not forget the damn thong chafing her in places she didn’t want to think
about. She’d kill Gwen when she got home.
“Faster,
Aly!”
“You
put me in three-inch heels and expect me to run fast? You bossy Frenchman with
a foot fetish.” She stumbled, and he caught her.
“Typical
woman. Kiss her once and she figures she has the right to bitch at you.” Niko’s
head turned, evidently scanning the area as they ran.
She
tried jerking her arm free of his ironclad grasp. “So help me, God, if that
terrorist doesn’t kill you, I will.”
He
pulled her around two uniformed nannies pushing toddlers in strollers.
“Promises. Promises.”
“Yeah,
well look how nice my hips sway now, nutso, running in these damned heels.”
Niko
quickly glanced up and down the wide tree-lined street and evidently seeing a
slight break in traffic, ordered, “To the other side. Now.” They bolted across
the four-lane boulevard and its well-manicured median. Two motorbikes rumbled
past, nearly hitting them. Horns blared as several Renaults and Smart Cars
barreled down the street. Niko shoved her out of the way and she fell, her
hands and knees scraping on the asphalt. Brakes screeched and there was a dull
thud behind her. She glanced back over her shoulder just as Niko rolled across
the hood of a silver car. He never broke stride. “Run, dammit!”
She
struggled to get up, her heel caught in the hem of her skirt. Niko set her on
her feet again. A delivery truck swerved toward them as if to run them down. In
a blur of movement, Niko drew his weapon. He dove and rolled clear of the
truck’s path, shooting the driver between the eyes. Glass shattered. Passersby
screamed. The truck jumped the curb, striking a tree. Sounds of metal crunching
and a tree branch cracking obliterated, for a few horrible seconds, the pedestrians’
reactions.
Still
on the move, Niko barked orders at the observers. A man nodded and reached for
his cell phone. “Quick. In here. While we’re hidden by the truck.” Niko wrapped
his hand around her arm and tugged.
Alyson
trembled, the back of her hand covering her mouth and her eyes glued to the man
slumped over the steering wheel of the truck not five feet away. Blood flowed
from his forehead. Her stomach twisted. She was going to be sick. Niko’s grip
on her arm tightened. “Move it, Aly. We’re still being followed.”
MONA LISA'S ROOM won the HOLT Medallion Award of Excellence for Best Romantic Suspense and Best Book by a Virginia author.
MONA LISA'S ROOM won the HOLT Medallion Award of Excellence for Best Romantic Suspense and Best Book by a Virginia author.
THE WILD ROSE PRESS (digital) -- http://bit.ly/MonaLisaDigital
THE WILD ROSE PRESS (paperback) -- http://bit.ly/MonaLisasRoom
AMAZON (paperback) -- http://amzn.to/QQZGyD
AMAZON (eBook) -- http://bit.ly/MonaLisasRoomeBook
Sunday, June 9, 2013
"Mona Lisa's Room" is a Double HOLT Medallion Winner!
I am so toe-curled happy I can barely think. I just received word that MONA LISA'S ROOM is a double HOLT Medallion Winner. Mona won an award of merit in both the Romantic Suspense and Best Book by a Virginia Author categories. I wasn't sure how readers would enjoy a suspenseful run through the streets of Paris, but the characters wouldn't leave me alone until I wrote their story. My heroine travels to Paris to celebrate her 40th birthday and unwittingly foils a bombing attempt in the Salon de Carre which houses the famed Mona Lisa. Alyson is put into the protective custody of French counterterrorist agent, Niko, who is ten years her junior. From that point on, they are on the run from the diabolical Red Hand terrorist group, whose macabre calling card is a hand print of their victim's blood.
Sunday, November 18, 2012
MEET MY HEROINE AND HERO -- by Vonnie Davis
Alyson Moore is a high school art teacher, recently divorced from her out-of-the-closet husband. She's been beaten down by life. Thanks to her ex-husband's lack of interest and his coldness toward her, Alyson doubts her femininity. Baggy clothes and flip-flops are her usual attire. At her sister's insistence, she's reinventing herself. Surgery to correct her astigmatism, thus ending the need for glasses. Her hair's been lightened a few shades. And she now sports a butterfly tatoo on her upper thigh. Her final step is a trip to Paris for her fortieth birthday so she can study the Mona Lisa and make some decisions about her future.
While in the Salon Carre, where the Mona Lisa hangs in the Louvre, she unwittingly foils a terrorist's bombing attempt. Because she can ID the terrorist, she is put in the potective custody of Niko Reynard.
Niko has a
reputation of being ruthless at his job. With his family, he's the demanding,
yet protective younger brother. With Alyson, he’s not sure who to be. What he
does know is he has to keep her safe from The Red Hand, the same terrorist
group who tortured and killed is fiancé Hae Won.
To help keep her
safe, he wants her to dress like Parisian women, which means wearing high
heels. The following scene takes place in a shoe boutique.
Niko
perched on the stool at Alyson’s feet, opened the first box and deftly flicked
back the tissue paper on a pair of black kidskin pumps with skinny gold looking
heels. “It’s rumored Da Vinci invented the high heel.” He removed her
Birckenstocks and placed her bare foot on his thigh. Warmth from his muscled
leg flowed up hers, causing her foot to give an involuntary wiggle.
His
gaze lifted to hers and locked. Slowly he slid his hand from her heel up her
leg to cup her calf. Thank God she shaved her legs that morning. “Stop.” The
rawness of her voice surprised her. His touch made her very aware of her body,
and her body was very aware of him. She couldn’t count the years since she was
touched in such a manner—if ever.
Still,
it was nice to know she could respond
to a man’s touch. Thanks to her ex-husband’s avoidance, she thought herself
sexually dead, certainly sexually unappealing.
“High
heels do wonders for a woman’s figure, Aly. They make the legs look long and
shapely, lift the bottom and make the hips sway.” His hands moved in a
descriptive manner while he talked. “They make a woman look sexy and confident.
Men’s eyes naturally pivot to a woman in stilettos.” Niko shrugged. “We can’t
help it. We are men, after all. Weakened by women.”
Alyson
stared at him. Men made weak by women? She’d never heard such talk, especially
from a male, a very virile male if looks meant anything. He was gorgeous,
arrogant as all get out, but gorgeous just the same.
Niko
slipped the shoes onto her feet, stood and extended his hand. “Stand. See how
you like the feel.” His gaze focused on hers again and for a second or two, when
she looked into his eyes, her world stopped.
She
vetoed the four-inch stilettos Niko favored in five painful, toe-pinching
steps. Good Lord, a girl could get nosebleeds in those things.
Ten
minutes later, Alyson wobbled in front of the cashier ready to pay for the
black kidskin three-inch Pradas she wore. As soon as she saw the bow at the
back of the heel, she fell in love with the shoes. Gwen called her a “bow
freak.” When Niko reached for his wallet, she elbowed him. “Look, as long as
they take Visa, I’ll pay for my own shoes.”
“Please,
allow me.”
“Absolutely
not. I planned on having an expensive birthday meal at the Eiffel Tower
Restaurant tomorrow. With all that’s happened today, that plan is ruined, too.
So I’m rationalizing since I won’t be paying for my birthday meal, I can pay
this ungodly amount for the shoes.”
Niko
placed his hand over hers. “I don’t mind. Let me treat you since I goaded you
into buying them.”
“Really,
that’s not necessary. Even my husband…er…ex-husband never bought me things.
I’ve always paid my own way.”
He
leaned an elbow on the glass counter and looked at her. “You’re kidding me. He
never bought you little surprises? Little treats? A woman like you should be
spoiled, treasured—” his voice lowered as he slowly trailed a finger up her arm
“—loved often and well.” Merciful
heavens, he was trying to seduce her in a shoe store. Gwen would squeal in
delight when she told her about this.
“Down,
buster. American women are different than French women. We’re not so easily
seduced by glib words or smooth moves.”
His
eyebrow arched and his demeanor turned insolent. “You think I’m trying to
seduce you?”
Typical
male. He touched her almost nonstop since they stepped into Minelli’s. Now that
she called him on it, he wanted to deny everything. “I think you’re toying with
me, seeing if you can make an old, lonely American woman quiver at your feet.”
“First
of all, you’re not old. Second, if you’re lonely, that’s your fault. Third, if
I wanted to make you quiver—” he leaned in, his lips against her ear “—I damn
well could.”
View
the Book Trailer: http://bit.ly/MonaTrailer
BUY
LINKS:
THE WILD ROSE PRESS (digital) -- http://bit.ly/MonaLisaDigital
THE WILD ROSE PRESS (paperback) -- http://bit.ly/MonaLisasRoom
AMAZON (paperback) -- http://amzn.to/QQZGyD
AMAZON (eBook) -- http://bit.ly/MonaLisasRoomeBook
Sunday, March 13, 2011
WHEN WRITER'S FEARS MOVE IN ~
I've been working on Mona Lisa's Room like a madwoman.
I'd started this project in mid-December as a short story.
By January, I knew it would be a novel.
In February, the novel mentally morphed into the first of a trilogy.
I will either name the series "Paris Passions Trilogy" or "The Red Hand Trilogy." Since the same protagonists -- the same terrorist ring known as Red Hand -- battle with my characters throughout all three proposed books, I thought that might be a good name for the trilogy. At least until an editor (Please God, let there be an editor who loves these stories!!) decides on a better name.
Since mid-December, I've written 76,000 words, not to mention the fits-and-starts that have long since been deleted. My mind is focused on this story as if it were wearing blinders. Very little else exists. I have to force myself to contact family and friends...and I feel badly about that. But my Muse is a strict task-master.
Thank goodness my husband accepts that my life literally revolves around this story, just like it did for several months with Storm's Interlude. I wake around 8:30 and start writing about an hour later.
Coffee cup in hand, I review what I wrote the day before (roughly 2,000 words) and layer in more emotion and internal dialog. I correct things that niggled at my mind during the night. I write the first few paragraphs just to mentally step into the story again. After making the bed and putzing around the house for an hour or so, all the while planning what I want to happen next, I sit in front of the laptop again, fingers poised, ready to move the story forward. I typically write off-and-on until one in the morning.
My fingertips are propelling me to the end where secrets are revealed and enemies exposed; enemies my characters never suspected. Pantser that I am, I've written toward this vague event, not quite sure what I want to happen. Now the fear sets in. What if I can't make the "big reveal" suspenceful enough? Realistic enough? Spell-binding enough?
What if I can't set this up? My heart pounds with that fearful idea. Self-doubt chokes my thought processes. I remind myself I have roughly 14,000 remaining words to play with. Sounds easy enough, doesn't it? I have time to move characters into place and make these events happen--whatever they are. Certainly my Muse and I can do it. Right?
Wait, Muse! What are you doing? Where are you going with that suitcase? Wha...what do you mean you've got vacation time coming? You'll be in touch? When? How? You'll twitter me? How...how will you help me finish this book in 140 characters or less? Oh all right, then. Go! I hear Charlie Sheen is out of work, I'll get him to help. Heaven knows he hasn't stepped into reality in years.
I'd started this project in mid-December as a short story.
By January, I knew it would be a novel.
In February, the novel mentally morphed into the first of a trilogy.
I will either name the series "Paris Passions Trilogy" or "The Red Hand Trilogy." Since the same protagonists -- the same terrorist ring known as Red Hand -- battle with my characters throughout all three proposed books, I thought that might be a good name for the trilogy. At least until an editor (Please God, let there be an editor who loves these stories!!) decides on a better name.
Since mid-December, I've written 76,000 words, not to mention the fits-and-starts that have long since been deleted. My mind is focused on this story as if it were wearing blinders. Very little else exists. I have to force myself to contact family and friends...and I feel badly about that. But my Muse is a strict task-master.
Thank goodness my husband accepts that my life literally revolves around this story, just like it did for several months with Storm's Interlude. I wake around 8:30 and start writing about an hour later.
Coffee cup in hand, I review what I wrote the day before (roughly 2,000 words) and layer in more emotion and internal dialog. I correct things that niggled at my mind during the night. I write the first few paragraphs just to mentally step into the story again. After making the bed and putzing around the house for an hour or so, all the while planning what I want to happen next, I sit in front of the laptop again, fingers poised, ready to move the story forward. I typically write off-and-on until one in the morning.
My fingertips are propelling me to the end where secrets are revealed and enemies exposed; enemies my characters never suspected. Pantser that I am, I've written toward this vague event, not quite sure what I want to happen. Now the fear sets in. What if I can't make the "big reveal" suspenceful enough? Realistic enough? Spell-binding enough?
What if I can't set this up? My heart pounds with that fearful idea. Self-doubt chokes my thought processes. I remind myself I have roughly 14,000 remaining words to play with. Sounds easy enough, doesn't it? I have time to move characters into place and make these events happen--whatever they are. Certainly my Muse and I can do it. Right?
Wait, Muse! What are you doing? Where are you going with that suitcase? Wha...what do you mean you've got vacation time coming? You'll be in touch? When? How? You'll twitter me? How...how will you help me finish this book in 140 characters or less? Oh all right, then. Go! I hear Charlie Sheen is out of work, I'll get him to help. Heaven knows he hasn't stepped into reality in years.
Thursday, February 10, 2011
THE STRANGE DREAMS OF A WRITER --
I'm working on a book set in Paris, one of
my favorite cities. When one hears the word, Paris, one thinks of beauty, art galleries, stunning architecture, museums and, of course, romance.
Calvin first took me to Paris five years ago. He wanted to introduce me to the city he adored and where he lived for a year, writing at sidewalk cafes. There I discovered a different culture, a different way of thinking and, frankly, I fell in love.
My novel, Mona Lisa's Room, is a selfish endeavor, for in writing it I get to revisit all the places I so enjoyed. The story begins with my heroine standing in front of the Mona Lisa in the Louvre. There she unwittingly foils a terrorist's bombing attempt. She is put into protective custody with Niko as her reluctant guardian. Sparks fly as soon as they meet, but they're certainly not sparks of attraction--or are they?
Niko is a native Parisian, devoted to his job in the counter-terrorism unit. He'd rather be in the thick of things than guarding her. He is arrogant and opinionated, not only with my heroine, but with me. Yes, my character bosses me around. Not when I'm awake, mind you, but when I'm asleep. He invades my dreams in that know-it-all, demanding way he has.
I suppose a bit of explanation is necessary or you'll think me mad. The first dream invasion happened the night after writing a scene outside a famed bookstore in Paris, Shakespeare and Company. I'd made it a romantic scene between the two of them. But in my dream, Niko and Alyson played the scene out for me not once, but three times until Niko yelled, "Now do you see why this scene won't work?" I crawled out of bed and powered up my laptop. I was not pleased. Still I had to admit the scene was better his way. Drats!
Then, last Thursday night while I was sleeping, Niko stormed into a room and slammed the door. The sound woke me and, bleary-eyed, I looked around our bedroom. What was that noise? Nothing seemed amiss so I rolled over and went back to sleep. Bamm! went the door again. This time Niko looked at me with his one eye-brow cocked as if to say, "Are you getting this, woman?" Frankly I wasn't. I snuggled against Calvin and was almost asleep when Niko whispered, "Don't go there. You know I'll slam the door again. Pay attention!"
my favorite cities. When one hears the word, Paris, one thinks of beauty, art galleries, stunning architecture, museums and, of course, romance.
Calvin first took me to Paris five years ago. He wanted to introduce me to the city he adored and where he lived for a year, writing at sidewalk cafes. There I discovered a different culture, a different way of thinking and, frankly, I fell in love.
My novel, Mona Lisa's Room, is a selfish endeavor, for in writing it I get to revisit all the places I so enjoyed. The story begins with my heroine standing in front of the Mona Lisa in the Louvre. There she unwittingly foils a terrorist's bombing attempt. She is put into protective custody with Niko as her reluctant guardian. Sparks fly as soon as they meet, but they're certainly not sparks of attraction--or are they?
Niko is a native Parisian, devoted to his job in the counter-terrorism unit. He'd rather be in the thick of things than guarding her. He is arrogant and opinionated, not only with my heroine, but with me. Yes, my character bosses me around. Not when I'm awake, mind you, but when I'm asleep. He invades my dreams in that know-it-all, demanding way he has.
I suppose a bit of explanation is necessary or you'll think me mad. The first dream invasion happened the night after writing a scene outside a famed bookstore in Paris, Shakespeare and Company. I'd made it a romantic scene between the two of them. But in my dream, Niko and Alyson played the scene out for me not once, but three times until Niko yelled, "Now do you see why this scene won't work?" I crawled out of bed and powered up my laptop. I was not pleased. Still I had to admit the scene was better his way. Drats!
Then, last Thursday night while I was sleeping, Niko stormed into a room and slammed the door. The sound woke me and, bleary-eyed, I looked around our bedroom. What was that noise? Nothing seemed amiss so I rolled over and went back to sleep. Bamm! went the door again. This time Niko looked at me with his one eye-brow cocked as if to say, "Are you getting this, woman?" Frankly I wasn't. I snuggled against Calvin and was almost asleep when Niko whispered, "Don't go there. You know I'll slam the door again. Pay attention!"I flopped onto my back, muttering, "If I could get my hands on you, you little rat-fink, I'd choke you. What is it you want to show me?"
Then he played it out. He stormed into an interrogation room and slammed the door (I wanted to tell him I already HAD that part). Sitting in a chair, her hands tied behind her back and wearing a blindfold, was my heroine. Then the vision faded...
That's all? That's all you're going to give me? Why is Alyson tied up? Why are you so angry? Are you angry with her or her situation? You woke me up for this???
Friday, January 28, 2011
THE CURMUDGEON WRITER
Remember Jack Nicholson, the grumpy eccentric writer in "As Good As It Gets?" Well, add auburn hair (dyed, of course, to cover the grey), bi-focals and another fifty pounds (ok...ok, maybe a tad more) and you've got yours truly. I didn't mean to become obsessed with my writing--distant, isolated, totally focused and consumed--but I have.
For the past month, I haven't gotten dressed once before noon. This retired lady and her creaky knees crawl out of bed at eight, feed the cat and powers up the laptop, eager to return to Paris and the battle of wits between a French counter-terrorism agent and his nemesis, a vengeful terrorist known as "Death Shadow." Of course there is the American woman who needs protection from the terrorist after unwittingly exposing his bombing scheme. But who's going to protect the young government agent from her?
Now, it's the "her" I'm having trouble with. She's evolving. I didn't realize until my Critic Partner pointed it out that I'd written Alyson as being dumb. What? I reread the first chapter with a more critical eye. Sure enough, she was clueless to the danger she was in and, yes, dumb.Who wants a dumb heroine? I mean that's so NOT reality. Name me one dumb woman. End of discussion.
Alyson is forty. Niko is thirty. Do you see a problem? Me, neither, but Alyson does. For now.
And for now, I am swept away by this story. That worries me. How can I write this storyline so it's equally as enjoyable for the reader to read as it's been for me to write? This is a never-ending concern.
Meanwhile, I am the curmudgeon writer who looks on Twitter, Facebook, e-mails, laundry, dirty bathrooms and cat liter as annoying "must-do's" that pull me away from what I love. And I do love writing a good story.
For the past month, I haven't gotten dressed once before noon. This retired lady and her creaky knees crawl out of bed at eight, feed the cat and powers up the laptop, eager to return to Paris and the battle of wits between a French counter-terrorism agent and his nemesis, a vengeful terrorist known as "Death Shadow." Of course there is the American woman who needs protection from the terrorist after unwittingly exposing his bombing scheme. But who's going to protect the young government agent from her?
Now, it's the "her" I'm having trouble with. She's evolving. I didn't realize until my Critic Partner pointed it out that I'd written Alyson as being dumb. What? I reread the first chapter with a more critical eye. Sure enough, she was clueless to the danger she was in and, yes, dumb.Who wants a dumb heroine? I mean that's so NOT reality. Name me one dumb woman. End of discussion.
Alyson is forty. Niko is thirty. Do you see a problem? Me, neither, but Alyson does. For now.
And for now, I am swept away by this story. That worries me. How can I write this storyline so it's equally as enjoyable for the reader to read as it's been for me to write? This is a never-ending concern.
Meanwhile, I am the curmudgeon writer who looks on Twitter, Facebook, e-mails, laundry, dirty bathrooms and cat liter as annoying "must-do's" that pull me away from what I love. And I do love writing a good story.
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